{"id":250,"date":"2024-03-04T20:04:09","date_gmt":"2024-03-04T13:04:09","guid":{"rendered":"https:\/\/pulse-journal.pgvim.ac.th\/?page_id=250"},"modified":"2024-12-20T16:32:33","modified_gmt":"2024-12-20T09:32:33","slug":"pulse-vol-3-jan-23","status":"publish","type":"page","link":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/pulse-vol-3-jan-23\/","title":{"rendered":"PULSE VOL. 3 (Jan 23)"},"content":{"rendered":"\n\n\t<p><strong>PULSE VOL.3<\/strong><\/p>\n\t<p>Click on title to access online articles or download the pdf version<a href=\"https:\/\/so18.tci-thaijo.org\/index.php\/pulsejournal\/issue\/view\/61\/vol13no1\"> <strong>here.<\/strong><\/a><\/p>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulse-journal.pgvim.ac.th\/wp-content\/uploads\/2024\/03\/Screen-Shot-2024-03-04-at-8.00.39-PM.png\" alt=\"Screen Shot 2024-03-04 at 8.00.39 PM\" itemprop=\"image\" height=\"1314\" width=\"968\" title=\"Screen Shot 2024-03-04 at 8.00.39 PM\" onerror=\"this.style.display='none'\"  \/>\n<p><strong>ARTICLES:<\/strong><\/p>\n<p><a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/dialogue-between-a-voice-and-two-bamboo-mallets-an-interview-with-omkar-havalder-kimho-ip-january-2023\/\"><strong>Dialogue between a voice and two bamboo mallets &#8211; an interview with Omkar Havaldar<\/strong><\/a><\/p>\n<p>Kimho Ip<\/p>\n<p><a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/growing-cooing-rumbling-with-dino-bone-the-domination-of-dinosaurs-vocalozation-beyond-performers-expection-siravith-kongbandalsuk-january-2023\/\"><strong>Growling, Cooing &amp; Rumbling with Dino-Bone 24 The Domination of dinosaur&#8217;s vocalization <\/strong><strong>beyond performer&#8217;s expectation<\/strong><\/a><\/p>\n<p>Siravith Kongbandalsuk<\/p>\n<p><a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/capabilities-and-roles-if-the-piccolo-in-21st-century-studies-of-selected-repertoires-for-piccolo-by-international-contemporary-composers-kalaya-pongsathorn-january-2023\/\"><strong>Capabilities and Roles of the Piccolo in 21st Century: Studies of Selected Repertoires for Piccolo <\/strong><strong>by International Contemporary Composers<\/strong><\/a><\/p>\n<p>Kalaya Phongsathorn<\/p>\n<p><a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/a-review-of-siamese-musical-instruments-in-the-annals-of-royal-french-ambassadors-waraporn-cherdchoo-january-2023\/\"><strong>A Review of Siamese Musical Instruments in the Annals\u00a0 of Royal French Ambassadors of King Narai the Great<\/strong><\/a><\/p>\n<p>Waraporn Cherdchoo<\/p>\n<p><a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/aural-though-oral-onomatopoeia-in-thai-musical-terminology-decha-srikongmuang-january-2023\/\"><strong>Aural though Oral: Onomatopoeia in Thai Musical Terminology<\/strong><\/a><\/p>\n<p>Decha Srikongmuang<\/p>\n<a href=\"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/off-theatre-the-transformation-of-performance-spaces-in-the-context-of-thai-theatre-sound-designer-following-the-covid-19-pandemic-saranrat-sangchai-january-2023\/\"><strong>Off-Theatre: The Transformation of Performance Space 103 in The Context of Thai Theatre Sound Designer Following<\/strong><\/a><br \/>\n<strong>The COVID-19 Pandemic.<\/strong>\n<p>Saranrat Sangchai<\/p>\n<p>&nbsp;<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>PULSE VOL.3 Click on title to access online articles or download the pdf version here. ARTICLES: Dialogue between a voice and two bamboo mallets &#8211; an interview with Omkar Havaldar Kimho Ip Growling, Cooing &amp; Rumbling with Dino-Bone 24 The Domination of dinosaur&#8217;s vocalization beyond performer&#8217;s expectation Siravith Kongbandalsuk Capabilities and Roles of the Piccolo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"saved_in_kubio":false,"footnotes":""},"kubio_ai_page_context":{"short_desc":"","purpose":"general"},"_links":{"self":[{"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/pages\/250"}],"collection":[{"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":14,"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":860,"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/pages\/250\/revisions\/860"}],"wp:attachment":[{"href":"https:\/\/pulse-journal.pgvim.ac.th\/index.php\/wp-json\/wp\/v2\/media?parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}